Post-colonial theories bear two perspectives. First, Said argues that the ideological and concrete framework of ideology and colonial knowledge stands firmly, neatly, and perfectly without any crack that remains entrenched. Bhabha argues that the building of ideology and colonial knowledge full of cracks necessitates the creative opportunity of creating hybrid traditions and cultures that are not merely extensions of the colonial army, but also not the real bumiputera: ambiguity and ambivalence.This article, tracking the identity politics that construct a subculture with a particular lifestyle through the creation of Animal Pop Dance choreography. An Indonesian hip hop which is a hybridization process of hip hop grown in the United States by Africa-America is mixed with three local Indonesian dance (Javanese, Sundanese, Papuan) traditions of animal behavior. The results show Animal Pop Dance is a hybrid tradition and culture that aspires to escape from the grip of dichotomous thinking patterns in post-colonial contexts.